I work with reclaimed textiles and sourced vintage, building them into layered compositions that sit between control and letting go.

Some areas are left raw and deliberate, while others are worked more freely. I move between the two, allowing the surface to hold both structure and instinct. Contrasting textiles are brought together and held in tension, with seams left visible.

I’m drawn to materials that already carry a sense of time. In a culture that favours youth, I’m interested in what ages. 

Worn, softened, and marked elements are kept visible, not refined away.

The work leans toward landscape, not as a fixed image, but as something continuously forming. Shaped by repetition, accumulation, and forces beyond control. There’s a quiet parallel in how surfaces change over time, and how we do too.